Since its inception in 1995, innovation and creativity have defined Ozomatli. Hailing from Los Angeles, the group found a way to represent the city’s eclectic culture through music that appeals to the local community and the world beyond. Ozomatli’s success is exemplified in an impressive variety of genres, from classic to modern Latino, urban, hip-hop and other world styles. The “Dioses del Baile,” or “Gods of Dance,” have created one of the most exciting, captivating and flat-out fun live shows touring today. They continue to harness their musical instincts by conceiving new concepts and forging new sounds that keep fans on their toes and the world dancing.
Ozomatli's latest recording is an album of classic and contemporary Mexican hits reimagined with a Jamaican feel. Titled Nonstop: Mexico → Jamaica, it pays homage to the music that many of the band members grew up listening to, inspiring them to reconnect and reinterpret songs that defined their youth.
Produced by drum and bass reggae legends, Sly & Robbie (Bob Dylan, The Rolling Stones, Peter Tosh, Jimmy Cliff, Madonna, No Doubt) and featuring various high profile guest vocalists, the album reflects the bands multi-genre influences as well as their travels around the world.
Originally conceived as a tribute to Mariachi and Norteño music, the band decided to expand the concept and include iconic and current artists and cover more eras. Pairing reggae, ska, rocksteady and dancehall rhythms with a variety of Mexican musical genres spoke to the band’s desire to do something unique for its 20th anniversary. It was also critical to include songs written by artists who represent the vast diversity of Mexico's population.
Prior to paying respect to the classic Latin catalogue, Ozomatli was creating its own repertoire adored by fans and critics alike. The band catapulted to the top of the live music scene with their first eponymously titled album. The impact of the then 10-piece band’s album was felt throughout the music world, and earned them the opportunity to open for Carlos Santana on his Supernatural tour. Following the success of its first album and touring with Santana and Mana, Ozomatli released its sophomore album, Embrace the Chaos, which garnered a Grammy® award for Best Latin Rock/Alternative Album. The follow up album, Street Signs, won both the same award and the Latin Grammy® Award for Best Alternative Music Album in 2005.
Ozomatli takes firm stances on various social justice issues. Their work focuses on giving voice to Latino culture, opportunity to children, fighting for workers’ rights and promoting global unity and peace amongst people, cultures and nations. Ozomatli were named Cultural Ambassadors for the U.S. State Department in 2006, were the first musical group to speak at the TED Conference in San Francisco. They performed for President and First Lady Obama at the Congressional Hispanic Caucus Institute’s 32nd Annual Award Gala.
In addition to politics and social issues, Ozomatli emphasizes the importance of family and children. The band has strived to make music to be shared through the generations and have even recorded music specifically targeted towards children and families. Their 2012 release, Ozomatli Presents OzoKidz, features all original children’s music that captures the innovation and liveliness that Ozo fans have become accustomed to, while educating children on the values of nature and knowledge. The band continues to perform the album at special OzoKidz concerts, where parents and children alike dance and play along on OzoKidz kazoos.
With Nonstop: Mexico → Jamaica Ozomatli continues creating music for entire families and communities. By recreating these classic Latin songs, Ozo redefines their meaning and reimagines their beauty for generations to come. As Ozomatli percussionist and MC Justin Poree puts it, “Anyone who is eight or 80 will recognize “Sabor a Mi” or “Besame Mucho.” The band has been sprinkling some of these songs into their recent live shows, and the crowds have not been able to hold back from coming together to sing along with “Como La Flor” or “Tragos Amargos.” These rhythmically and melodically rich songs bridge the generational gap, captivate all who listen and beautifully mesh a variety of rich cultures.