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COPLEY SYMPHONY HALL TICKET OFFICE
750 B Street
San Diego, CA 92101

Phone: 619.235.0804
Fax: 619.231.3848
Urgent ticketing issues? Contact us at:
tickets@sandiegosymphony.org

Normal business hours:
Monday – Friday:
10am - 6pm (5pm summer)
Saturday & Sunday:
12noon - 4pm
(Sat-Sun hours vary in summer)

Seniors, Military (with ID) and Student (with ID) $3 off discounts are available via phone and window sales only (no web), and can be applied to most seats. These discounts are valid in the Grandstand, Cabaret I and Cabaret II sections at the Embarcadero. Family Packs and ongoing Corporate discounting offers must also be processed directly though the Ticket Office window and phones.

NOTE: Initial mailing of Summer Pops 2013 tickets will be after JUNE 10.

 

PLEASE NOTE FOR SYMPHONY HALL CONCERTS:

  • Photography and audio/video recording of any kind are not permitted in Symphony Hall's performance chamber.
  • Food and drink (plastic bottled water excepted) are not allowed inside the Symphony Hall performance chamber.
  • Absolute quiet during performance is the audience's critical role in a successful music concert. To maintain the greatest courtesy to your fellow concertgoers, please use maximum care in disabling all noisemaking devices in the performance chamber, including cell phones, pagers and malfunctioning hearing assistance devices. (Audiences of Family Festival concerts should be understanding of the natural restlessness of small children. Parents should welcome an opportunity to teach concert etiquette.)
  • Cell phone photography is strictly prohibited in the performance chamber and may result in temporary confiscation.
  • Please apply perfumes and colognes lightly in respect of others' possible allergies. 
  • All dates, programs, artists and pricing are subject to change.
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  • There are no refunds.

SUMMER POPS 2013 PARKING DATES

Click any of the following to buy advance parking (if available) for that date:

Thursday, June 27 - Tux 'n Tennies:
All Gala packages come with parking;
NO advance purchase parking

Friday, June 28 - Stones Tribute

Saturday, June 29 - Stones Tribute

Thursday, July 4 - Star Spangled

Friday, July 5 - Star Spangled

Saturday, July 6 - Star Spangled

Friday, July 12 - Bee Gees Tribute

Saturday, July 13 - Bee Gees Tribute

Sunday, July 14 - Pops Classical

Thursday, July 18 - Distant Worlds

Friday, July 19 - En Vogue

Saturday, July 20 - En Vogue

Friday, July 26 - Amy Grant

Saturday, July 27 - Amy Grant

Sunday, July 28 - Nathan Pacheco

Friday, August 2 - Broadway

Saturday, August 3 - Broadway

Sunday, August 4 - Bacharach

Friday, August 9 - Michael Bolton

Saturday, August 10 - Michael Bolton

Friday, August 16 - Cirque Musica

Saturday, August 17 - Cirque Musica

Sunday, August 18 - Pixar

Thursday, August 22 - Ozomatli

Friday, August 23 - Music 80s

Saturday, August 24 - Music 80s

Friday, August 30 - TchaikSpec

Saturday, August 31 - TchaikSpec

Sunday, Sept. 1 - TchaikSpec

 

TO REPORT ANY WEBSITE ISSUES, CONTACT:
webmaster@sandiegosymphony.org

...
Overview,

ROBERTA FLACK - Killing Me Softly
An Ashford University Summer Pops Concert (Subscribe Now!)
Friday, July 6, 7:30pm
Saturday, July 7, 7:30pm

Matthew Garbutt, conductor
Roberta Flack, vocals

In 1974, "Killing Me Softly" won the Grammy Award for Record of the Year. But it’s just one of a string of blockbuster hits that has placed Roberta Flack among the most talented artists of our time. From "The First Time Ever I Saw Your Face" to "Where Is the Love?" to "Feel Like Makin’ Love," Roberta Flack’s style and delivery is distinctly all her own. 


PRE-PURCHASE PARKING (LIMITED):

Friday, July 6 - Flack               Saturday, July 7 - Flack


Artists,

“I like to think of myself as a musician who has found some original meaning in songs that maybe everybody else has done,” says the legendary Roberta Flack when describing  Let It Be, her extraordinary new CD of Beatles tunes. “I’d like to think that my producers and I found some new directions and new meanings. I think that’s the sign of a good interpreter of music. I didn’t write these wonderful songs, of course; I’m only expressing what I feel about them. And what I feel about them – hopefully – is universal enough that people will say, ‘Yeah.’

The universality that Ms. Flack speaks of can be located in her own long and deep personal history with the songs on this collection. Right from the start of her career, when she was a young woman juggling her career as a schoolteacher with her calling as a performer, Beatles songs played an important part, proving their boundless appeal.

“When I made the transition from the classroom as a schoolteacher and was moonlighting at nightclubs in Washington, D.C.,” she recalls, “I chose songs for both settings from the songs we all heard on the radio. As a teacher, I tried – like the TV show Glee suggests now – to teach my kids by using those songs because I found that they already knew the melodies. It was my responsibility to teach them something about music theory, and I used these songs as a means to do that because they already knew and loved them – ‘Hey Jude,’ ‘Yesterday,’ and so on.”

Artists are forged by their times. Roberta Flack, a child prodigy who won a music scholarship to Howard University at the age of fifteen, came of artistic age and political consciousness just as America was convulsing over its own terms of existence.

In the political sphere, the Vietnam War, the Civil Rights movement, a vital new chapter in the women’s rights movement and the burgeoning gay rights movement, were all simultaneously roiling. On the big screen, glitzy Hollywood musicals were giving way to Easy Rider and Midnight Cowboy. TV was slowly being integrated by the likes of Bill Cosby and Diahann Carroll. Soul music – from the grit of Stax to the gloss of Motown – was redefining how the world saw and heard Black Americans, and therefore America. The Beatles were rewriting every rule of pop culture. And suddenly, right there in the midst of it all, with an iconic Afro, a staggering talent and a vision of music as a tool for both joy and enlightenment was Ms. Roberta Flack.

Starting with her classic debut album, 1969’s First Take, she carved out a career filled with massive radio and chart hits (“First Time Ever I Saw Your Face,” “Killing Me Softly With His Song,” “Jesse,” “Feel Like Making Love,” and – with the late, great Donny Hathaway – “Where is the Love?,” “You’ve Got a Friend,” “The Closer I Get to You,” “Back Together Again,” and so many more), countless awards (including four Grammys®) and worldwide critical acclaim for her singing and peerless musicianship.

And to prove the steadfastness of Ms. Flack’s trailblazing artistry, we need look no further than the love she and her work are shown by a new generation of innovative artists who celebrate her influence: Lauryn Hill, who famously covered “Killing Me Softly” with her former group, the Fugees, and kick-started her own dazzling solo career; R&B romantic icon Maxwell, with whom Ms. Flack performed a show-stopping version of her classic hit “Where is the Love” on the 2010 Grammy® Awards program; and revered underground hip-hop producer Flying Lotus, who created a fan-favorite track titled “Roberta Flack,” in tribute to the lady herself.

In explaining what moves her to continue making music, Roberta Flack says simply, “I think music is such a powerful means of expressing what the world needs now, and that’s understanding between individuals, between races, between countries. I think music has the potential for being the answer to all those deep questions we ask ourselves as human beings.”

Watch & Listen,

Robert Flack performs her monster 1972 hit "The First Time Ever I Saw Your Face"in this vintage video clip: 

ROBERTA FLACK(SP)
July 6 - July 7, 2012
EMBARCADERO MARINA PARK SOUTH

Online sales for this performance have now been discontinued. Please call the Ticket Office at 619.235.0804.

 
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