This season mezzo-soprano Tamara Mumford returns to The Metropolitan Opera for the new production of Kajia Saariaho's L'Amour de loin and appears in concert with the New York Philharmonic, Boston Symphony Orchestra, San Francisco Symphony Orchestra, Berlin Philharmonic and the Simón Bolívar Orchestra on tour in Europe.
A graduate of The Metropolitan Opera's Lindemann Young Artist Development Program, Ms. Mumford made her debut there as Laura in Luisa Miller, and has since appeared in more than 140 performances with the company, some of which include Smeaton in the new production of Anna Bolena, and in productions of Rigoletto, Ariadne auf Naxos, Il Trittico, Parsifal, Idomeneo, Cavalleria rusticana, Nixon in China, The Queen of Spades, the complete Ring Cycle, The Magic Flute, A Midsummer Night's Dream and Wozzeck. Other recent opera engagements have included the first ever American performances of Rossini's Aureliano in Palmira at the Caramoor Festival, L'Amour de loin at the Festival d'opéra de Québec, Iolante at the Dallas Opera, the title role in the American premiere of Henze's Phaedra, the title role in The Rape of Lucretia and the world premiere of Daniel Schnyder's Yardbird at Opera Philadelphia. She has also sung the title role in Dido and Aeneas at the Glimmerglass Festival, Ottavia in L'incoronazione di Poppea at the Glyndebourne Opera Festival and the BBC Proms, Orsini in Lucrezia Borgia at the Caramoor Festival, Isabella in L'Italiana in Algeri at the Palm Beach Opera, the title role in The Rape of Lucretia, conducted by Lorin Maazel at the Castleton Festival, the title role in Carmen at the Crested Butte Music Festival, Principessa in Suor Angelica and Ciesca in Gianni Schicchi with the Orchestra Sinfonica Giuseppe Verdi di Milano in Italy and the title role in La Cenerentola at Utah Festival Opera.
Also an active concert performer and recitalist, Ms. Mumford appeared with Gustavo Dudamel and the Los Angeles Philharmonic in U.S. and European tours of the world premiere of John Adam's oratorio, The Gospel According to the Other Mary. She also toured the U.S. and Europe with Maestro Dudamel and the LAPO in performances of Mahler’s Symphony No. 3. Other concert engagements have included appearances with the New York Philharmonic, San Francisco Symphony, Dallas Symphony, Utah Symphony, Oregon Symphony and Milwaukee Symphony orchestras, the Netherland Radio Philharmonic and at the Hollywood Bowl and the Ravinia, Tanglewood, Grand Teton, Vail, Tucson Desert Song and La Jolla SummerFest music festivals.
She made her Carnegie Hall debut in 2005 as part of the Richard Good and Friends concert series in Zankel Hall, and has since appeared there with James Levine and the Met Chamber Orchestra. She has also made multiple appearances in the Musicians from Marlboro's summer festivals and U.S. tours. In recital she has been presented in New York by both the Marilyn Horne Foundation and the Metropolitan Museum of Art, and in Philadelphia by the Philadelphia Chamber Music Society.
Ms. Mumford has appeared in The Metropolitan Opera's Met: Live in HD series broadcasts of Anna Bolena, Das Rheingold, Gotterdämmerung, The Magic Flute, Nixon in China, Manon Lescaut and Il Trittico. Her recordings include Handel's Messiah with the Mormon Tabernacle Choir, Beethoven's Cantata on the Death of Emperor Joseph II with Michael Tilson Thomas and the San Francisco Symphony (Avie) and John Adams' The Gospel According to the Other Mary with Gustavo Dudamel and the Los Angeles Philharmonic (Deutsche Grammophon). She was one of 16 singers invited to work with Naxos Records and Yale University in a collaborative project to record the complete songs of Charles Ives.
A native of Sandy, Utah, Ms. Mumford holds a Bachelors of Music from Utah State University and has received awards from the Opera Index Competition, Palm Beach Opera Competition, Sullivan Foundation, Connecticut Opera Guild Competition, Joyce Dutka Foundation Competition and the MacAllister Awards.